Punjab 1984 – The story of a mother

If I had to encapsulate the theme and emotional power of Punjab 1984 in a few words, I’d never be able to ace these couplets from the movie’s soundtrack :

Haadh Diyaan Paindeyan Ch Vichchdi Hai Chaan Bann Ke Bedard Haakma Tu V Vekh Kade Maa Bann Ke Mudh Aa Ve Laadleya Ghare Ammi Udeekdi

Mere Pind Di Oh Paun Nu Suneha De Dyo Mainu Lorriyan Sunaave Kitte Maa Banke Ni Main Kujhe Wich Aunga ‪‎Swaah‬ Bann Ke Ni Main Kujhe Wich Aunga ‪‎Swaah‬ Bann Ke

That’s all Anurag Singh’s Punjab 1984 is, and all it had to be, a story about a mother looking for her son. The film opens with a brilliant scene during the attack on Golden Temple, a scene so poignant, I’d have to look long and hard to find anything which matches its simplicity and sincerity while depicting such an important and sensitive event for millions of Sikhs around the world.

The movie then movies to a year and a half later, with Kirron Kher as the main character of a mother looking for her son. Like she says, she used to be worried that he returns home in time, and she still is. The opening credits carry a serene sense of  her morose life, her daily routine, as she visits the police station daily, and waits for news about her son. This is of course not a unique or isolated case. It is the story of upheaval in the lives of countless families in Punjab during the period of the Khalistan movement. It is the true story of thousands of mothers, whose sons went out on a day as ordinary as any, never to be seen or heard from again.

The methods used by the police to suppress insurgents during this period, and politics of the situation is well documented and well known(Click here & here to read more). Family feuds, and personal grudges intertwined into the political war that was underway. Many policemen misused the sanctioned power. As the general sentiment goes, who watches the watchmen?. Our protagonist’s story is one such incident, with a land hungry neighbour, and a power hungry policeman. The mother’s powerlessness in the situation is reflective of our own impotency in face of political power even today, especially today.

The backstory moves briskly, with the serviceable blend of a happy go luck protagonist, loving mother, strict father, ‘love at first sight’ song and dream sequence before getting to the actual meat of the plot. Of course the mother is portrayed as righteous as any can be found in the breadth of the hindi or punjabi film industry, without any flaws or intricacies of a human. She is perfect, kind to any and all, even to those who have wronger her. The only humanizing characteristic she possesses is her loss, and her resolve to find out what happened to her son. But Kirron Kher’s acting truly liberated the character and saved it from crossing over to the territory of melodrama.

The moments chosen to elucidate the mother’s situation are a step away from the cliche’d moments we’re used to witness in movies. Here, they’ve used small moments, dialogues, to evoke the sense of loss and frustration. A moment that particularly stood out for me was when she has to go through the pictures of boys recently killed in Police encounters and shootings. The camera lingers on her face as she is handed the album, and it is kept steady, as we feel her hesitation. She slowly starts to look at the album. The camera still lingers but zooms in a little, as we feel along with the mother, the fear before the turn of each page, and the small respite before gathering enough courage to turn the page again. The scene transitions to reveal a few glimpse of some of the victims. As the mother reaches the end of the album, she hides a smile of relief behind her chunni. The acting by Kirron Kher is top notch in this scene. The direction and photography is particularly masterful. Frankly, I was surprised with this level of finesse in a punjabi movie.The film is so engaging that when the words ‘intermission’ appear on the screen, I had to check my watch to confirm that 90 minutes had indeed slipped by.

The second half starts strong with an incident inspired from real life, and a terrific scene, where the mother learns that her son might have died. Her son’s friend informs her that her son might not be bound anymore, he is finally free. The agony and restlessness is brilliantly depicted using the mother’s reaction. The director might have overstayed to milk the scene for some extra tears, nevertheless, it’s a very powerful scene. Why couldn’t it have stayed that way? The movie changes gears and the story starts to falter, like the writers were unsure where they should go from here. Then scenes start to fall flat, emotions and melodramatic dialogues start to fly high and it completely derails in the last thirty minutes.

Spoilers

The plot shifts to the going ons of the present day as the drama and body count starts to rise. There’s some unnecessary resolution of the land acquisition plot. Granted, it did set the whole plot in motion, but the follow up and resolution fell flat, and frankly, felt unnecessary. Also, the romantic sub plot overstays its welcome and acts as a distraction sometimes. But it still adds to the realness of the movie, and works to a certain extent. The depiction of the ‘movement’ is cheapened to cheap ploys of a couple of power hungry politicos. But of course, our hero saves the day, and how.

After this point, the movie goes from being a grounded representation of the reality of Punjab to generic masala fare. The last thirty minutes might be inspired by any number of the mainstream ‘100 crore club’ bollywood movies. I literally cringed at the Salman Khanesque moment when the ‘hero’ challenges the arresting officer (the villain in this case) and throws away his gun to have a hand to hand fight.

At first, I balked at the writer’s poor choice to go this route, but then it occurred to me, that perhaps the writer had was so deeply emotionally invested in these stories and so frustrated with the powerlessness of the common man, or even his helplessness as a writer, that it was a chance for him to let off some steam, to exact some revenge. It was a masturbatory exercise by the writer, where he was literally bashing the shit out of such policemen and the system and the movement who were responsible for such mishaps. Whatever the reasons were, in my opinion it nullified all the respects and dedications it wanted to pay off to the victims and their families, a message so explicitly stated at the end. It was almost an insult, that those boys weren’t strong enough to change their fate, or fight to survive… only if they’d been heroes. Anyway.

The film climaxes when our protagonist finally returns home with his head and chest held high, just as he had envisioned it. It should have been a touching and a much needed emotional payoff, but I was still barfing from the last fight scene. The movie ends with such a weak and tailored scene, that it seemed like they cobbled it together at the last minute when the writer finally gave up on the story. The only saving grace of the climax was the acting of Diljit Dosanjh and Kirron Kher, which supplied some much needed emotionality, and grounded it to a certain extent. The haunting lyrics of the song ‘Swah bann ke’ also help.

Apart from the acting, the cinematography and editing are considerable well done. The movie has a bleached look with a yellowish tinge used effectively to illustrate this bleak period in Punjab’s history. The frames, shots, and length of scenes are mostly perfect with the camera lingering just long enough to leave an impact. The music of the film is very strong, especially the songs ‘Sawah bann ke’ and ‘Ammi udeek di’. It’s the first time I’ve seen music so well used in a Punjabi movie. Here it’s not a distraction, but helps further the story forward and acts as a beautiful supplement to help effectively portray the emotions of the characters. Overall, I would say that it’s a must watch, even if for the beautiful first half.

P.S. If you want to listen to the songs, click here.

P.P.S. For a political analysis/review of the movie, read this.

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Ship of Theseus

I just finished watching Anand Gandhi’s Ship of Theseus. It’s an amazing piece of art by the way. One of the most beautiful and moving films I’ve ever seen. Anyway, I visited their FB page and there was a contest for free DVDs or something, and I just entered on a whim. In the form, there was a question, Is it still the same ship? Huh.. that got me thinking. So I just wanted to repost my response here, which came pouring out of my heart, through my fingers, some thoughts I didn’t even know existed. I just wanted to keep a record of this here.

From an outside perspective, for all intents and purposes, I’d argue that it’s still the same ship, because it’s playing the same role and the same part with respect to all the people that interact with it. We are not primarily defined by our own inner thoughts and ideas, but by our actions, our relationships, our gestures, our place in society and how we effect the world around us. It’s like batman said, it’s not who I am underneath but what I do that defines me.
As far as the innermost self is concerned, it’s constantly changing. Each moment, each thought, each realization changes something inside of us that we can’t undo. We keep learning, we keep unlearning, and so we keep changing. Something that was so important to us moments ago, may no longer hold any value. So are we ever the same even if the body, the cells remain the same? Aren’t we reborn with new thoughts and ideas every second? Yet, we perceive our inner self to be the same.
You can choose to look at it any way you like, just as described so beautifully in the film, you don’t know where you end and where your environment begins.

P.S. You can watch the movie for free here: http://cineoo.com/sot/  Do watch it, it’s pretty brilliant.

Imtiaz’ Rockstar

What is a Rockstar? Who is a Rockstar?

Rock music defines a whole generation and stands for unconventional music, lyrics.. people who were truly outside of society as we know it, trying to challenge conventional wisdom and sticking it to the man.

People say you should be careful what you wish for, because wishes often come true.

I think, Imtiaz Ali’s Rockstar, is all about this statement. It’s about how a wannabe is transformed into a true rocktar through the power of love.

The movie starts with a live concert footage of one of the biggest musicians of the world, Jordan.He is a rockstar. He enters the stage with a scratched cheek from a fight he just ran out of. He doesn’t care about the traffic lights, or if someone recognizes him on the bus.. He doesn’t care about the security guards.. He doesn’t care about anything.. except perhaps the music. He’s ready to sing. He’s angry and ready to set fire to the world.

And just then, we see the beginning of Jordan, who was once Janardhan Jakhad or JJ, as his chaploos friends called him. A simple minded Jat boy studying in Hindu college. As the owner of the canteen he frequently visits, Khatana Bhai says, he’s a very halka person.  He’s the type of guy who doesn’t think much about the big questions of life. He just lives. He just knows he loves music and he wants to be a rockstar any way he can. “To phir main kya karun… kya karun ki….”

He sings,

“Jo Bhi Main Kehna Chahun, Barbaad Karein Alfaaz Mere.”

He might already be an artist, a poet, whose words are misunderstood, but he doesn’t really have to say much yet. He sings about how he wants to sing about other’s stories. He has had an average life of a middle class boy, like most of us. He’s a part of the social order, the social system. Like he says, kabhi kabhi crazy kaam kar leta hai, but that’s just momentary rebellion. He’s a part of the social structure he fails to grasp completely. No extraordinary experiences, no pain, no stories to tell. As Khatana Bhai says, he doesn’t have a broken heart.. so where will the music come from?

He takes these words very seriously and decides to have his heart broken. And that turns his whole life around.

He pursues Heer Kaul, the heart breaking machine of Delhi University, but can’t say anything beyond I love you to her. He is just desperate to have his heart broken.. when he doesn’t really even know what it means exactly.

Have you ever had a crush on a film star? or a famous musician? or the most pretty girl/most famous guy in class? Even if you met them, you wouldn’t be able to treat them as a normal person. Your mind would go blank and you’d stare with awe at how normal these people are in real lives.

The thing is that these people are so beyond our scope or understanding that we don’t even consider them normal people, which is why JJ is surprised when Heer shows the normal aspirations of a regular girl about to be married. But he still helps her be the Jangali Jawani for a few days before her Lady neat and clean days. She really is Miss Neat and Clean and in these scenes of Jangali Jawani “trip” is where Nargis really shines.

JJ and Heer start to fall in love and while JJ is too naive to understand this feeling or Heer is just so unattainable in her eyes that even when she asks him to hug her, he doesn’t think there is any way she could actually like him in that way. He sincerely believes that there could be no subtext to this hug, or maybe is just too ignorant. This surity is what actually made him chase her in the first place, because he was absolutely sure she would reject him.

Heer realizes it. She surely does as evident from the scene right before her wedding. And she tells him as boldly as she could, but he doesn’t understand or maybe he doesn’t believe that this could really be happening. And even if he does recognize the feeling at some level, he doesn’t deem himself worthy of this feeling.

“Ye theek hai, ya fir abhi bhaag chalein”

Rest assured, he does return with some things he needs to think about. A void is created in his life, in his heart, and the need to fill this void will form the rest of his journey. Music no longer holds that much importance as he tries to fill the void first by Video Games and then Spirituality.

He tries to be a part of the system again, follow his families wishes, because that’s what we all do, right? We are hammered with the idea right from childhood that if we confirm to the system, everything will be alright. His life will be alright again. He’ll be happy.

But, circumstances get the better of JJ. Getting kicked out his home can be called JJ’s worst and most formative experience. This is the point, when he faces the first true tragedy in his life, and it makes him grow as a person. He finds solace in a mosque and now stands face to face with those big questions of life, he’d never thought about. This is the time when he loses the “halka” tag, according to me, at least. He tries to fill that void with spirituality and the search for oneself. He strives for freedom, not just from the world, but also from himself, his own thoughts, his emptiness. And he finds his outlet in music. This is how he believes he can achieve self actualization. He just wants to sing and that’s it. That desire to be a star is not there anymore . atleast subconsciously. He’s just going with the flow.

He doesn’t wanna confirm to the system, as evident from the whole “Sheher Mein” recording sequence. In the words of Shammi Kapoor,

“Yeh Bada Jaanwar Hai, Yeh Aapke Chote Pinjare Mein Nahi Samayega… Ye Apni Duniya Banayega…”

And he has grown apart from the system now. He doesn’t understand classical music and has no problem saying it. He genuinely thinks it’s all very funny, and he can’t help laughing at it all.

But, when an opportunity arises to go to Prague, he’s ready to sell his soul to the system, to see Heer again. He probably doesn’t know why the desire is so strong, he just knows he has to do this.

Meanwhile everything isn’t well with Heer either. She isn’t fine, she doesn’t know why, her doctors don’t know why, and she’s sorry that people are uncomfortable with it, cause that’s just how she is. This one line is a huge window into the kind of character Heer is and the decisions she takes.

This time, Jordan whisks Heer away and reminds her about the freedom she secretly craves. Freedom from society’s definition of right and wrong, freedom from society’s judgement.. freedom from the system.

Jordan doesn’t care about the divide between him and Heer now, he probably doesn’t even remember it. He just knows he wants to be with her, to hug her, kiss her, love her. His love for her has fully developed into a passion now. A reference to the magic touch is made here, and Jordan really starts to believe that Heer has the magic touch and maybe he possesses it for her too. He probably doesn’t realize the full extent of his feelings for Heer yet. But, he feels complete when he’s with her… at peace… happy.

It is interesting to note, how Heer was the one to initiate everything in Delhi and Kashmir, but now it’s Jordan. And the reason is that Delhi and Kashmir were her wild trip before she became what she was being prepared to be her whole life. A good wife to a wealthy modern person. But Jordan is now separated from the system as we know it, he only cares about his desires and his needs. He truly does what his heart desires and Heer comes along for the ride, because she also craves this.. him.. his magic touch.

But Heer realizes what this is. And she realizes that she has to return to her home, the social setting. That this can’t go on forever. It would never work between her and Jordan. It’s just a joyride.. too impractical. Because that’s what she believes. Because that’s what we’re taught to believe. So she fights with him on purpose, and I don’t think there has been a more honest fight on the Hindi Cinema screen, where characters truly say some things said unsaid or obvious in most other fights depicted onscreen. This is the first time his fame seems like an obstacle to him in the movie.

He says, end it on a good note if you have to. And he’s ready to go to any lengths to make happen what he wants. And so he breaks into her home. This action permanently places him on the opposite side of the system. Now he’s not just rejecting it, he’s struggling against it, rebelling, fighting against it.

He’s had his heart broken, but the transformation isn’t complete yet. He still knows somewhere in his heart that she’ll come to him, that she didn’t really wanna fight with him, that she’s trapped.. or maybe he just hopes.. but the hope prevails.. and that’s why he’s still looking for those birds.

This is what Sadda Haq is all about. His appeal to media, to police, to people, to the system, to just let him be, just let him do what he wants, just let him fill that void which is back.

And the system can think of nothing better to do than exploit him for it. The record company just wants to sell records. The media just wants to sensationalize. The fans just want a piece of him, without really realizing what he’s singing about. They just shout when he screams in agony. His words destroy what he wants to say. There is a brilliant scene where Jordan is explaining to Khatana Bhai that he can’t control what he does, and it’s cut with shots of mobile phone cameras shooting him, showing how meaningless these words actually are to his fans.

He can’t explain what is happening to him. He’s getting all he ever wanted but happiness eludes him. He becomes more and more reckless. He expresses his angst, his anger at the system, his need to feel complete through music, cause what else is there?

This search for peace leads him to singing “Dum Maaro Dum” among prostitutes, this search is what leads him to the gate of his house again and again and this search makes him reach out to his old college friends, who also want a bite of Jordan. He’s so disgusted that he actually walks out after just having photos clicked with them.

Meanwhile his contract with Platinum Records expires and he lets all his frustration out in one brilliant scene where he tears up the next contract they had prepared for him. He doesn’t care about this stuff anymore.

I think the first time he truly, consciously is sure that Heer is the reason behind his problem is when someone else degrades him for it.

One day, he finds out that Heer has actually been very sick for the last two years and is on the verge of dying. Heer doesn’t actually resist her need for Jordan now, because she has been liberated, she’s also free of confirming to this world now. And Jordan believes that Heer suffered from the same problem he did and now that they’re together again, everything will be alright.

“Main Tere Saath Set Hoon Yaar… Itni Si Baat Hai”

He believes in the magic touch.

But don’t be fooled. This isn’t one of those bollywood movies where she’ll be miraculously cured. The doctor advises her mother to be logical, that even though she might look better on the outside, her condition is bad on the inside, and getting worse.

Jordan and Heer are finally together now. In their own world. Without the rights and wrongs of the world. Without his stardom, media.. without her hospitals, illness, marriage. They’re truly happy.

But Jordan’s magic touch actually seems to be the folly of Heer. As her condition seems to worsen, she tries to absorb all of Jordan inside her that she can. And while she is undergoing transfusion, the police come to arrest Jordan, and he finally realizes.. he finally admits,

“Mujhe Ye Sab Kuch Nahi Chahiye.. Mujhe Nahi Banna Bada… Mera Dil Nahi Tootna Chahiye Khatana Bhai… Mera Dil Nahi Tootna Chahiye.. Please Kuch Karo.. Mere Paas Aur Kuch Nahi Hai”

But, his magic touch fails him. And he crashes.

His heart is broken. There’s no hope this time. He’s forever destined to burn in this fire of emptiness inside him. He’s angry. At himself. At the media. At the people. At the world.

And he just looses it. He finally goes all out against the system which destroyed him and hits back.. attacks.. and lets go.. He shows them the middle finger.. Fuck you all! I don’t need you!

He spirals out of control. Drugs, alcohol, vomit. Music seems like an enemy now. It’s what lead to all this. And he watches as his guitar burns, just like him.

Acceptance comes to Jordan as he sings Naadaan Parindey. I truly wonder if he even likes singing by this point of time. He attains acceptance that he can’t have Heer now.

He has to live with this void now. All he’s left with are her memories and the moments they shared, as we witness in the end.

And he stands, with tokens of his journey on his strap, an empty shell, among a crowd of millions, forever longing for that world he and Heer created and shared. He has to live there alone now.

“Yahan se bohot door, sahi aur galat ke paar.. ek maidaan hai.. main wahan milunga tujhe.”

You might say that some characters weren’t explored much or were too one dimensional.

There was Khatan Bhai, a friend trying to protect his friend from the repercussions of rebelling against the world. The record producer, the music maestro, in the form of late Mr. Shammi Kapoor, Heer’s and JJ’s families.

But, I want to say, this is not their story. This is not about JJ’s parents or how his childhood was. This is not a biopic of a rockstar. It’s about Jordan and Heer and how Jordan becomes a rockstar. It’s like JJ said to Heer, “Mujhe to sirf tu dikh rahi hai”. They are the only focus of the story. Nothing and no one else matters.

And Nargis and Ranbir have truly done a great job. Especially Ranbir, who got so involved in the character that he suffered from depression after he completed the movie, because he felt he had given so much to the movie that he felt a void after it ended. And Nargis’ acting is not bad at all. She does shine in a few particular moments and is average in others, but the charm and energy she brings to the scenes is truly irreplaceable.

The second point I want to mention is the music. Indian movies have been using songs as a part of the narrative since the very beginning. Some film makers, like Anurag Kashyap have used music in a very innovative manner, making it a seamless part of the movie.

But, I don’t think there has ever been a movie where the music is the most important part of the narrative, where music tells us more about the state of mind of the characters and their motivations, than their words or actions. A big salute to Mr. Irshad Kamil and Mr. A.R. Rahman for making the music of this film as it has been made.

In the end, I just want to leave you with this song, which I believe is true of many and most artists

P.S. This is my personal journey with the movie, my personal interpretation.. If yours is different, I welcome you to share it.

Edit: I read someone else’s view about the end recently, and it made more sense to me than my own interpretation. They said that the end is actually how Jordan is only able to feel a sense of fulfillment of that void, of completion, of being with Heer, through singing. That’s why he sings that he hopes to meet his lover in Naadan Parindey, and he experiences that moment of completeness for a fleeting minute.. before he loses it again. That is why he keeps on writing and keeps on singing.

Rajneeti, Kites and the first time I saw 3-D

Rajneeti

I believe movies are made for 2 purposes: Either to tell a story or for entertainment purposes.. any movie made with other intentions generally turn out to be poor movies. I think Rajneeti was made for the purpose of making a movie about politics.

They thought, let’s make a movie about politics and what better story concerning politics than Mahabharat. But I guess Mahabharat wasn’t meaty enough, so they decided to sprinkle a little Godfather in the mix, cuz Arjuna is a little like Michael, isn’t he? A little uncomfortable with the family business.

And that’s all that Rajneeti remains, an exercise of mixing  Mahabharat with Godfather. While Godfather takes its time to show how Michael changed, our Arjuna here seems to make this transition flat within 20 minutes which is not very convincing.

Character development is sacrificed because the whole Mahabharat had to be included in the movie and therefore all it remains is twist after twist.. Chess is a patient game about slowly cornering your opponent, which Rajneeti strives to become, but fails utterly due to length constraints. The guessing game of what the next twist, or death or dhoka-dhadi will be, was far more fun for me than watching the movie itself. The Godfather references were staring me in the face and I couldn’t ignore them enough to focus on what the movie was trying to show me, or maybe this one just wasn’t interesting enough.

The acting is solid, be it Nana Patekar or Ranbir Kapoor, who both kept me planted in my seat long enough to witness the climax. Katrina is not as bad as they say and Arjun has already proven that he can act when he wants to. Manoj Bajpai is ok, but all I kept thinking was that maybe Irfan Khan would’ve been better. Ajay Devgan is the same as in any Prakash Jha movie.

Coming to a close, let’s just say that the movie is a one time watch. But, maybe it would’ve been better as a TV show.

Shrek Forever After[3-D]

I saw my first 3D movie this week. Yes, I wanted to watch Avatar but I couldn’t so I took what I could. Let me say that I felt all sorts of weird standing alone among a sea of kids outside the audi. So how was it?

It was cool, and that’s all it was. It was really distracting too, cuz I couldn’t get over how I was watching a 3D movie 😛 . But it was cool, and I totally support the 3D train of movies, if they are made in 3D and not converted that is.

Anyway, the movie was good enough for a kids movie. It wasn’t Shrek 2, but it wasn’t Shrek 3 either.. The animation was good, the story was good enough, we were chuckling even if not laughing heartily. Eddie Murphy was goood and so was Antonio Banderas as puss in the boots. The actor who voiced Rumpelstiltskin was really good and the characters of the witches were interesting. I had fun watching it, but after one point I was just looking at the clock waiting for it to end, which is not a good sign for a 93 minute long movie.

Also, the Hanna Montana loving 10 year olds sitting beside me, cooing like toys at all the right places didn’t help my nerves. So, overall, an ok experience.

Kites


Yep, I saw Kites too.. now that the shock has subsided, let me just say that it’s not that bad. I mean sure when you compare it to movies from all over the world, but in the realm of B-wood, I can say that it was one of the better ones I’ve seen ..I mean at the very least, I wasn’t bored..Now that I’ve got your attention, let me explain…

Let’s face it, Bollywood movies have always been about escapism. Sure, logic is creeping into movies nowadays, but was 3 idiots really all that logical? So, firstly, let’s leave logic aside while we are talking about Kites.

See, Kites starts wonderfully like any Hollywood action-rom/com. Hritikh is a likeable young man doing what he can to survive in the US of A and he finally has a shot at the jackpot with Kangana. And he does not miss. I was reminded of Woody Allen’s “Match Point” here, but not too much. And just when everything was going according to plan, he falls in love. That’s where I really got into the movie.. cuz falling in love, at least to me, is exactly what they’ve captured here in the small moments between Hritikh and Barbara. One of the scenes I liked most was when Hritikh hits Tony.. cuz who can bear to look silently, when someone’s beating the person you love? And then they realize what’s just happened and they have no choice but to run away.

See, it’s after this, that the writer seemed to have little idea where to take the story. And it’s here that the intentions change from telling an entertaining story to making the big bucks, which is never good for any movie.

And I do believe that the intention of the writer, at least when he started to write Kites, was to tell a story, not a very complex one, but at least an entertaining one.

Anyway, what makes Kites ultimately watchable is Hritikh and Barbara Mori. That guy knows how to act along with all the other things he does. I hope he gets some better projects.

I don’t care what the other critics said, but I could feel the love they were trying to portray and I desperately wanted their characters to have a happy ending.. which I believe is an achievement in itself for any movie, to make the audience root for their characters. Sure, the movie is full of cliche`s from best friend dying to save the lovers to the pj about shitting in the pants. Sure, in the end they just wanted to create another Romeo-Juliet which seemed unnecessary and forced, but up until the final 10 minutes or so, the movie had me hooked. And that’s all that mattered to me.

P.S. I am writing after a long time, so I apologize for the poor quality of prose and grammar. I just wanted to write something and this is what I managed. Criticism is always welcomed.

Movie review marathon…

Warning: There will be spoilers.

A Clockwork Orange

What can I say about this masterpiece that hasn’t already been said? The theme is the most interesting there could be, that whether it’s right to be bad by choice or to be forced to be good…. tackled beautifully by Anthony Burgess, the author of the novel it’s based upon. And Kubrick has done justice to the book, like I assume he always does with every movie of his.

The story is set in the future, well, atleast the future as perceived by the people in the 1970s. The setting is the work of a genius, and slowly consumes you into it, like you are a part of it. Beethovan’s music is used wonderfully here, and gives Alex’s universe a distinct feel. The language is not exactly the english we speak, infact some words are the author’s invention, but you slowly become accustomed to them, as if you knew them all along. The story is about Alex, a 16 year old boy and his gang of “droogs”. We see in the start how Alex and his friends enjoy a bit of the old “ultra violence” and the old “in-out” a la they are naturally evil. But, the best thing is that it isn’t shoved into our faces and is developed as we see their acts and their reactions. Anyway, Alex becomes the undeclared leader of his group which his friends can’t digest, and betray him thus leading to his capture by police. The scientist’s have come up with a new way to drive “wrong doings” out of prisoners and Alex is picked as the prime candidate and he undergoes the treatment. Now, Alex feels sick whenever violence or sex occur to or around him. But can he really survive in the real world like that.. what happens when his past crimes come face to face with him? You can’t help but be confused, as to how you can feel sorry for such a man! Watch it to find out the whole deal.. I’d spoil it but it’s too good to be spoiled.

The best aspect of the movie is Malcolm McDowell who plays Alex. The man who’s performance is the biggest inspiration of Heath Ledger’s portrayal of Joker in the Dark Knight. A great actor of the likes of Al Pacino I’d say, or even better than him at least in this movie. Others have played their part well too, except a few who seem to be a little misfit in Alex’s universe like his mom. Even though she didn’t have much to work with, my face cringed every time she came on screen.

My judgement, watch it to feel it. Believe me, it will be worth your time. It’s a film that gets you thinking, um.. and humming(seriously I can’t get that song “I am singing in the rain” out of my mid). In Satish’s words, it was to the seventies what fight club is to our generation.

Rating: 8/10

Singh is Kinng

I know, its seems like a crime to me to mention this movie(if it could even justify to be called that) on the same page as the clockwork orange. But, I have to do this crime cuz if I didn’t, most of you would have assumed the post was over and would have left, without noticing the “more” sign at the end of the post…

Anyway, moving on with the review, the film has no story, seriously. It’s just a bunch of crap put up together with a few “bollywood thinks are funny” lines and sidetracks and a pinch of sikhism.

Lucky(Sonu Sood) is the kinng of Australia and rules it with some men very close to him, which also involves Mika(Jaaved Jaafri), his deaf and short sighted brother. Happy(Akshay) is happy go lucky guy who has a habit of playing the hero and helping everyone, even if he destroys half the village doing it. The villagers device a plan to drive him out of the village by convincing him that Lucky’s father’s end is near and he would like to him before dying. He vows to get him back, and is sent to Australia, along with Rangeela, his “langotia yaar”, who knows a little english. They land up on Egypt when their boarding passes get exchanged with some people at the airport. In Egypt, Happy meets Sonia(Kat) while trying to help her catch a thief, and they sing a song. Happy falls in love with her, and decides to come back for her after completing his vow. In Australia, Happy meets Lucky, where he denies to go back. But in a strange accident in which Lucky gets hurt, it is declared that Happy will be the kinng until Lucky is OK. Happy wants to help the lady who fed him when he was lost and hungry in Australia. She had lied to her daughter about them losing their wealth and so, Happy goes onto pose as her manager along with his closest men playing the servants while the lady’s daughter(Sonia), comes back with her fiance Puneet(Ranvir Shorey). Happy and Sonia’s friendship grows, a little of this a little of that..boom! they are married in the end. Everyone’s happy, and Happy and Sonia return to their village along with Lucky, Mika (who turned against him and had a change of heart at the end), and all the other goons.

Seriously now, the characters are very underdeveloped, their motives and actions are unexplained. But, I am ready to overlook that if the film has some bloody comedy. I was seriously counting man, and there was a gap of 30 minutes before I laughted at anything at a point(what could I do except count minutes?). The first half was nice, went by like a breeze, but the second half seemed like Welcome part 2 with the director bent on changing the heart of all the gangsters in every movie of his. Akshay Kumar is the man here, he carries the movie on his shoulders, it would have been worse without him. Katrina is there just to look pretty, which pretty much covers up for her acting(seriously man, she is hot.. or according to one of my friends “kudi tabahi aa”). Sonu Sood is seriously a good actor and carried his role responsibly. Jaaved Jaafri is a talent which does not need to be spoken about, everyone recognises it. Anyway, every one else does their role ok, but bad script and no story don’t help them. And I seriously want to raise a question.. why sikhism? because there is whatsoever no reason for it being there, except maybe for the title.

Man, I had hopes from this movie. Aneez was bad enough with his Welcome but I expected something of Vipul Shah after Waqt and Namastey London.. well seems like I was wrong, but still I’m waiting eagerly for London dreams. Only watch if nothing better is on…

Rating: 3/10 – 1 for Akshay, 1/2 for Katrina, 1/2 for Jaaved Jaafri, 1/2 for Sonu Sood, and 1/2 for the goons

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Race – A Review

So, I went to watch the new movie Race today, starring Saif Ali Khan, Katrina Kaif, Bipasha Basu, and Akshaye Khanna. The biggest plus point of Race was it’s script and it’s twists and turns. But, it is also it’s weakest point.

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The film begins wonderfully and keeps you glued to your seat trying to think what will happen next. There are many twists and turns in the first half. The basic story is about two brothers who try to outdo each other and the girls just get tangled in their rivalry. As good as the first half was, the second half goes up and then down and further down and down. There are just so many twists that we get bored of them and want the movie to end.

The acting by Saif is superb, Akshaye is also very good. Bipasha is OK, but our Kat needs some acting lessons. I have always noticed that she is mostly in a movie only to look pretty which she does well, but she must learn some good acting. Her dialogue delivery isn’t good, but expressions are good. Anil Kapoor is good as always and never goes out of the skin of his character, with Sameera being there just to look stupid, which she does well. Their Karamchand-Kitty act keeps going on and extracts some laughs out of us, which is not made dominant on the thrill and action at any point. It’s very difficult to keep a balance and I think that Abbas-Mustan have done it very well.

The music isn’t so great. I just like the title song and the “sexy lady” song. At some points, the song seems to be well in it’s place, but at some points, it just slows the pace of the film. The background music is also good, as heart thumping as it was required to be.

It is a good movie, but could be a great movie. It’s at least worth one watch, cuz its a typical Abbas-Mustan film, and a good time pass+entertainer for 2 and a half hours.

Overall Rating: 6.5/10…worth a watch in the theatre on a weekend.